Read Orlando Online Free - Virginia Woolf’s Orlando ‘The longest and most charming love letter in literature’, playfully constructs the figure of Orlando as the fictional embodiment of Woolf’s close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth’s England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.
|Number of Pages||:||228 pages|
September 10, 2016
My mom made me clean my room this weekend. No, not a teenage pain-in-the-ass cleaning of the room, this was THE cleaning of the room. As in, it was finally time to take apart the room I’d had in that house since we moved there somewhere around my thirteenth birthday.
Look you guys, I get it. I’m...
February 26, 2018
"I'm sick to death of this particular self. I want another."
Orlando to me is a dream come true in literature. Being able to move in time and space and to change my gender with my moods is a deeply satisfying idea. It is the quintessence of what reading means in my life - the opportunity to leave...
November 26, 2015
This was my first time reading Orlando. It was also my second time.
I like to think that everything happens for a reason - not that I believe it was planned or decided by a powerful creature for me - but because the idea that everything effects what surrounds it sounds about right to me. So I see...
December 04, 2017
Woolf did not write this book for her readers; she specifically wrote it for her close “friend” and fellow writer Vita Sackville-West. As such Woolf does things she would not normally do in her writing; it is not at all serious but instead takes on the form of a literary homage, homage to reading...
September 07, 2016
Orlando might have been devised as a mere divertimento, as a playful attempt to challenge the established views on sexuality or as a fantastical tale to confront the history of East and West by questioning the boundaries of space and time, but to this reader this novella meant much more. It meant...
August 06, 2017
My second reading of Orlando bore out my overriding impression the first time I read it – that this is a brilliant comic performance until Woolf, before finishing, runs out of steam. Towards the end it becomes apparent she’s no longer in the same spirit with which she began the book. What begins...
July 08, 2013
The most prudent way to review a Virginia Woolf book, perhaps, would be to write 'THIS IS STUPENDOUS. GENIUS. AMAZING. WHY HAVEN'T YOU READ THIS YET?' and leave it at that. Because not only does this relieve you of the responsibility of casting about for appropriate words to serenade Woolf but al...
January 10, 2013
I absolutely adored this book. The style is definitely different from the other Woolf books I've read so far. What stood out for me was the beautiful use of the language, maybe more than the story. The novel had an almost fairytale-like feel to it, and I was definitely enchanted from the start.
December 04, 2013
I first read this many years ago; before I knew very much about Virginia Woolf and her relationship with Vita Sackville-West, to whom this is dedicated. The background is vital because it adds so much and because it helps the reader to reach an understanding of Woolf’s generosity. It is as ever,...
November 17, 2017
Introduction, by Peter Ackroyd
Introduction, by Margaret Reynolds
List of Illustrations
Preface, by Virginia Woolf