Read The Complete Poems, 1927-1979 Online Free - Highly regarded throughout her prestigious literary career, and today seen as an undeniable master of her art, Elizabeth Bishop remains one of America's most influential and widely acclaimed poets. This is the definitive collection of her work. The Complete Poems includes the books North & South, A Cold Spring, Questions of Travel, and Geography III, as well as previously uncollected poems, translations, and juvenilia.
|Title||:||The Complete Poems, 1927-1979|
|Number of Pages||:||272 pages|
July 24, 2007
I really wanted to like this collection. I did enjoy One Art:
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn...
May 30, 2013
I cannot be objective: Bishop was a friend since HS, throughout the Vassar College years and beyond, of my mentor and patron Rhoda Sheehan; in fact, Bishop rented Rhoda's "Hurricane House" that floated over Westport Harbor in the '38 hurricane. That's where I met her once, individually, and asked...
April 10, 2016
Very few Bishop poems touch overtly on the subject of romantic love. The following poem does, and it tugs on one's heartstrings as deftly as any Lucinda Williams country song:
The moon in the bureau mirror
looks out a million miles
(and perhaps with pride, at herself,
but she never, never s...
July 08, 2016
The brown enormous odor he lived by
was too close, with its breathing and thick hair,
for him to judge. The floor was rotten; the sty
was plastered halfway up with glass-smooth dung.
Light-lashed, self-righteous, above moving snouts,
the pigs' eyes followed him, a cheerful stare--
even to the sow that...
November 08, 2017
Io ho delle serie resistenze riguardo al periodo ittico di Elizabeth Bishop.
Non so: “aria che sa di merluzzo” e raschiare scaglie e triglie, tovaglie e stoviglie (da pesce, presumibilmente).
Anche riguardo alla sua fase ornitologica sono ritrosissima. Un po’ come mi capita con il periodo botanico...
November 16, 2009
In the May 14, 2009 issue of The London Review of Books, Colm Tóibín writes that in the poems of Elizabeth Bishop, "Description was a desperate way of avoiding self-description; looking at the world was a way of looking out from the self." He goes on to say that "The fact that the world was there...
February 24, 2016
4,5 stars. I wrote about this book here: Questions of displacement - http://wp.me/p79SOn-BT #readwomen
July 18, 2012
Elizabeth, I liked some of your poems, found some of them beautiful, or touching or delicately structured. Not especially profound, but you don't strike me as having invested much in the profound, rather the fleeting, the unintended and the suddenly honest. You also did not speak often of love,...
October 12, 2017
This is my favorite poetry I've read in a long time. Somewhere in contention for my actual favorite, though I guess "The Waste Land" feels pretty unshakeable at the top slot there. "One Art" is her most famous and it is pretty lovely but totally unrepresentative of her work as a whole. It's not l...
August 07, 2015
Nearly all of these poems are remarkable in some way. Bishop deftly handles fixed forms, such as the sonnet and the sestina, and her villanelle "One Art" has been lingering in my mind for awhile. Her verses in open form are well chiseled sculptures. She can shift her creative focus from the quoti...